Victorian Bookbinding

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1870s

March, Daniel. Our Father’s House, or the Unwritten Word. Philadelphia: Zeigler, McCurdy & Co., 1870.

Brown leather, with beveled boards.

Go to Embossing.

Our Father's House

 


Songs before Sunrise

Designs on Songs before Sunrise

Swinburne, Algernon Charles. Songs Before Sunrise. London: F. S. Ellis, 1871.

Blue cloth blocked in gold on front, spine, and back.

Below: Close-up of the three circular designs, featuring the moon, sun, and stars.

Go to Designs by Individual Artists.

 


Bryant, William Cullen. The Song of the Sower. New York: D. Appleton & Company, 1871.

Green sand-grained cloth blocked in gold and black on front, gold on spine, and in blind on back, with beveled boards.

Go to Extravagant Styles.

The Song of the Sower

 


Farm Ballads

Carleton, Will. Farm Ballads. New York: Harper & Brothers, Publishers, 1873.

Green cloth blocked in gold and black on front and spine, black on back.

Go to Extravagant Binding Styles.

 


Beauty and the Beast. London: Dean & Son, 1873.

Go to Chromolithography.

Beauty and the Beast

 


Speaking Likenesses

Rossetti, Christina. Speaking Likenesses. London: Macmillan, 1874. Illustrated by Arthur Hughes.

Blue cloth blocked in gold on front and spine, and in blind on back. From a design by Arthur Hughes.

Go to Designs by Individual Artists.

 


Tuttle, Charles R. Tuttle's Popular History of the Dominion of Canada. Montréal: D. Downie & Company, 1877.

 

Black sand-grained cloth blocked in gold on front, spine, and back. An interesting Canadian binding, patterned after medieval clasped books yet utilizing native elements of design.

Go to Nationalities.

An Illustrated History of the Dominion

 


The Chatterbox

The Chatterbox. New York: Frank Leslie’s Publishing House, 1879-80.

Glazed paper printed from wood.

Go to Periodicals.
Go to Wood Block and Wood-engraving.

 

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